Multilingual Expressions on Whatsapp: Cameroonian Students’ Cultural Identity. Get the full PDF Nsom Karlson Nsom & Brinda Chowdhari …………………………………………20-34 ABSTRACT This paper pinpoints the chemistry of culture and language that
Laboratoires de création et de recherche en arts scéniques et redynamisation de la production théâtrale camerounaise: le cas des Rencontres Théâtrales Universitaires. Get the full PDF Guy Francis Tami Yoba………………………………………………………..……..35-54
Incarner le Sorcier au Théâtre : Ayang Fred dans le Rôle de Sanga Tete dans The Inheritance de Hansel Ndumbe Eyoh . Get the full PDF Joseph Noumbissi Wambo …………………………………………………………..55-74
La résistance de l’autochtonie marocaine face à la colonisation française. Une lecture de La Rose de sable d’Henry de Montherlant. Get the full PDF Jean-Baptiste Ndjoh Olite …………………………………………….…………..…75-99 RESUME Le
Black Woman: Strategies at Resisting Devaluation in Alice Walker’s The Color Purple and Meridian. Get the full PDF Nges Zillah Kimbeng …………………………………….…………………..….…100-121 ABSTRACT This article explores and exposes the various
Gender, Patriarchy and the New Woman: Generational Preferences in Mariama Ba’s So Long a Letter . Get the full PDF Ngome Jemia Maureen & Adamu Pangmeshi ……………………..……..…122-148 ABSTRACT This paper
Oral Culture in the Written African Novel as an Excavation Site for Moral Redemption. The Case of Things Fall Apart by Chinua Achebe and The White Man of God by
From the Sarcophagus Revolution to The Politics of Crisis of Identity, It Brunt on The Health Sector in Anglophone Cameroon from 2016 to 2020. Get the full PDF Christian Nwufor
L’analepse comme opportunité narratologique dans le film La patrie d’abord de Thierry Ntamack. Get the full PDF Aristide Sanama Nguillé …………………………………………………………….198-215 RESUME Cet article présente l’analepse (flash-back) comme opportunité technique
Post-Production Concepts in Cameroonian Theatre Practice: Problems and Prospects. Get the full PDF Donatus Fai Tangem………………………………………………………………… 216-230 ABSTRACT The fundamental and standard stages of theatre production are well known. However,
