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Vol. 4 No. 2 July 2024

Vol. 4 No. 2 July 2024

Table of Contents

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Vol. 4 No. 2 July 2024

Creative Aesthetics of Literary Adaptations in Thomas Southerne’s Adaptation of Aphra Behn’s Oroonoko or the History of the Royal Slave

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Vol. 4 No. 2 July 2024

Multilingual Expressions on Whatsapp: Cameroonian Students’ Cultural Identity

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Vol. 4 No. 2 July 2024

Laboratoires de création et de recherche en arts scéniques et redynamisation de la production théâtrale camerounaise: le cas des Rencontres Théâtrales Universitaires

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Vol. 4 No. 2 July 2024

Incarner le Sorcier au Théâtre : Ayang Fred dans le Rôle de Sanga Tete dans The Inheritance de Hansel Ndumbe Eyoh

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Vol. 4 No. 2 July 2024

La résistance de l’autochtonie marocaine face à la colonisation française. Une lecture de La Rose de sable d’Henry de Montherlant

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Vol. 4 No. 2 July 2024

Black Woman: Strategies at Resisting Devaluation in Alice Walker’s The Color Purple and Meridian

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Vol. 4 No. 2 July 2024

Gender, Patriarchy and the New Woman: Generational Preferences in Mariama Ba’s So Long a Letter

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Vol. 4 No. 2 July 2024

Oral Culture in the Written African Novel as an Excavation Site for Moral Redemption. The Case of Things Fall Apart by Chinua Achebe and The White Man of God by Kenjo Jumbam

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Vol. 4 No. 2 July 2024

From the Sarcophagus Revolution to The Politics of Crisis of Identity, It Brunt on The Health Sector in Anglophone Cameroon from 2016 to 2020

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