Social Media and the Anglophone Crisis in Cameroon. Get the full PDF Victor Ngu Cheo & Bamnjo Herman Yenika ……………………………………..1-14 ABSTRACT This paper sets out to investigate social media use
Social Stratification in Niyi Osundare’s The Man Who Walked Away and The Wedding Car. Get the full PDF Adeleke, Emmanuel B. ………………….………………………………………15-33 ABSTRACT No society is completely classless; for, as
Rage, fury (violence) in the Games of Football in the Bamenda Grassfields of Cameroon, 1980-2005. Get the full PDF Confidence Ngam Chia & Scot Tamfu Wepngong……………………………….34-57 ABSTRACT One of the
King as a throne: The symbolism of Afo-a-Kom in Kom artistry. Get the full PDF Victor Bayena Ngitir ….……………..……………………………………………58-80 ABSTRACT The subject of mystery and royal symbolism as incarnated in
Dynamique Performative et Spectaculaire du Nsuo Nda Nji chez les Bamoun. Get the full PDF Moungande Ibrahim Aliloulay …………………………………………………..81-96 RÉSUMÉ Les Bamoun ont connu une progression de plus en plus
Jean Marie Teno’s Camera Verité as Art Intervention in Cameroon. Get the full PDF Alasambom Nyingchuo………………………………………………..……….97-116 ABSTRACT Historically, filmmakers in Cameroon have reacted differently to stiff censorship by the two
Female Victimisation and Resistance in Alobwed’epie’s Trilogy: The Lady With A Beard, The Lady With The Sting and She Seized The Balls. Get the full PDF Derick J. Mbungang…………………………………………………………….117-131 ABSTRACT
Varieties and Consciousness in Usage: Cameroon Pidgincreole and its Speakers. Get the full PDF Fonka Hans Mbonwuh …………………………………………………………………132-152 ABSTRACT After so many years of its existence in Cameroon and its
Theatre and Therapy: a rapid review of related literature. Get the full PDF Paul Animbom N……………………………………………………………….153-170 ABSTRACT The available literature on/around theatre and therapy is increasing necessary so as to
Orature at the Service of Environmental Sustainability in a Contemporary Cameroonian Setting: A Discourse on Bafut and Kom Spaces. Get the full PDF Atoh Julius Chenwi & Che Chuchill Che………………………………………171-188
