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Dynamique Performative et Spectaculaire du Nsuo Nda Nji chez les Bamoun. Get the full PDF
Moungande Ibrahim Aliloulay …………………………………………………..81-96
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Les Bamoun ont connu une progression de plus en plus affirmée qui a débouché sur l’émergence d’une culture propre à ce peuple de l’Ouest/Cameroun. Sa richesse et sa singularité culturelles se traduisent notamment par un patrimoine culturel immatériel varié et préservé qui s’est transmis de générations en générations. De nos jours, certaines pratiques ancestrales sont toujours observées. C’est le cas des rites d’intronisation ou souo ndap. Face à la modernité, cette tradition séculaire s’est peu à peu réinventée à tel point que, les matrices spectaculaires y occupent une place prépondérante. L’approche sémiologique dans une perspective ethnoscénologique, permet de démontrer que c’est la dimension spectaculaire de ces rites qui cristallisent les regards et le « faire » des spectateurs.
Mots-clés : souo ndap, ethnoscénologie, sémiologie, invention des traditions, performance spectaculaire.
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