Vol. 4 No. 2 July 2024Creative Aesthetics of Literary Adaptations in Thomas Southerne’s Adaptation of Aphra Behn’s Oroonoko or the History of the Royal Slave Paul Animbom / 6 August, 2024
Vol. 4 No. 2 July 2024Multilingual Expressions on Whatsapp: Cameroonian Students’ Cultural Identity Paul Animbom / 6 August, 2024
Vol. 4 No. 2 July 2024Laboratoires de création et de recherche en arts scéniques et redynamisation de la production théâtrale camerounaise: le cas des Rencontres Théâtrales Universitaires Paul Animbom / 6 August, 2024
Vol. 4 No. 2 July 2024Incarner le Sorcier au Théâtre : Ayang Fred dans le Rôle de Sanga Tete dans The Inheritance de Hansel Ndumbe Eyoh Paul Animbom / 6 August, 2024
Vol. 4 No. 2 July 2024La résistance de l’autochtonie marocaine face à la colonisation française. Une lecture de La Rose de sable d’Henry de Montherlant Paul Animbom / 6 August, 2024
Vol. 4 No. 2 July 2024Black Woman: Strategies at Resisting Devaluation in Alice Walker’s The Color Purple and Meridian Paul Animbom / 6 August, 2024
Vol. 4 No. 2 July 2024Gender, Patriarchy and the New Woman: Generational Preferences in Mariama Ba’s So Long a Letter Paul Animbom / 6 August, 2024
Vol. 4 No. 2 July 2024Oral Culture in the Written African Novel as an Excavation Site for Moral Redemption. The Case of Things Fall Apart by Chinua Achebe and The White Man of God by Kenjo Jumbam Paul Animbom / 6 August, 2024
Vol. 4 No. 2 July 2024From the Sarcophagus Revolution to The Politics of Crisis of Identity, It Brunt on The Health Sector in Anglophone Cameroon from 2016 to 2020 Paul Animbom / 6 August, 2024
