Vol. 4 No. 1 February 2024Sustaining the Future of Art Pedagogy and Practice in the Face of Technology Paul Animbom / 1 April, 2024
Vol. 4 No. 1 February 2024Pictures (images) and construction of gender economic roles among the Nso’ of Cameroon Paul Animbom / 1 April, 2024
Vol. 4 No. 1 February 2024An Empirical Analysis of Newspaper Coverage of The Covid-19 Pandemic in Cameroon Paul Animbom / 1 April, 2024
Vol. 4 No. 1 February 2024Analyzing Communication in Television Adverts: The Case of MTN TV Advert “Eto’o Peut” Paul Animbom / 1 April, 2024
Vol. 4 No. 1 February 2024Centering African Traditional Dance Principles in Contemporary Dance Paul Animbom / 1 April, 2024
Vol. 4 No. 1 February 2024African Spirituality and Resistance to Neocolonial (Bad) Governance in Lake God and Dance of the Vampires by Bole Butake Paul Animbom / 1 April, 2024
Vol. 4 No. 1 February 2024Castigating Corruption in the American Political Space: A Study of Theodore Dreiser’s The Financier and The Titan Paul Animbom / 1 April, 2024
Vol. 4 No. 1 February 2024A Sociolinguistics impact of Ngamambo greeting culture and Identity Paul Animbom / 1 April, 2024
