Vol. 2, No.2, July 2022Varieties and Consciousness in Usage: Cameroon Pidgincreole and its Speakers Paul Animbom / 19 October, 2022
Vol. 2, No.2, July 2022Theatre and Therapy: a rapid review of related literature Paul Animbom / 19 October, 2022
Vol. 2, No.2, July 2022Orature at the Service of Environmental Sustainability in a Contemporary Cameroonian Setting: A Discourse on Bafut and Kom Spaces Paul Animbom / 19 October, 2022
Vol. 2, No.2, July 2022Compliance and Breach of Non-refoulement Norm by the Cameroonian Authorities against Nigerian Refugees in the Conflict-ridden Far North Region of Cameroon, 2010- 2019 Paul Animbom / 19 October, 2022
Vol. 2, No.2, July 2022Optimisation des compétences heuristiques des apprenants et rentabilité financière des Formations Professionnelles des établissements de l’Université de Douala Paul Animbom / 19 October, 2022
Vol. 2, No.1, February 2022La Problématique du Marché de l’Art Contemporain Camerounais. Les Ventes aux Enchères des Tableaux Chrétiens de Marc Padeu Paul Animbom / 19 October, 2022
Vol. 2, No.1, February 2022La peau travaillée dans la culture chez les Massa du Cameroun et du Tchad Paul Animbom / 19 October, 2022
Vol. 2, No.1, February 2022North West-South West Divide Within the Presbyterian Church in Cameroon: The 1985 Synod Election Crisis Paul Animbom / 19 October, 2022
Vol. 2, No.1, February 2022Rerouting the Imperialistic Parodies of African Cinemas Paul Animbom / 19 October, 2022
Vol. 2, No.1, February 2022Appraisal of the Performance/Role of Women in the Teaching and Learning of Music Education in Nigerian Colleges of Education. Paul Animbom / 19 October, 2022
