Vol. 2, No.1, February 2022The Journey Motif in Butakean Dramaturgy: Lessons for the Developing World Paul Animbom / 18 October, 2022
Vol. 2, No.1, February 2022Critical overview of mutations in some Contemporary African Poetry Paul Animbom / 18 October, 2022
Vol. 2, No.1, February 2022The Paradox of the Male in Patriarchal Settings: Reading the Plays of Emeka Nwabueze Paul Animbom / 18 October, 2022
Vol. 2, No.1, February 2022Adapting the Cameroonian Oral Tale in the Funnel of Process Drama, Education and Wildlife Conservation Paul Animbom / 18 October, 2022
Vol 1 No 2 - July 2021Acting as therapy for personal and social development Paul Animbom / 18 October, 2022
Vol 1 No 2 - July 2021Storytelling and family therapy in Bole Butake’s Family Saga Paul Animbom / 18 October, 2022
Vol 1 No 2 - July 2021Partnership and accountability in development initiatives: a Theatre For Development diagnosis of the Tole Tea Project Paul Animbom / 18 October, 2022
Vol 1 No 2 - July 2021Traditional directorial techniques and cinematic virtual reality: compatibility drive Paul Animbom / 18 October, 2022
Vol 1 No 2 - July 2021Digitalization and the democratization of filmmaking in Cameroon Paul Animbom / 18 October, 2022
