Vol. 1, No.1, February 2021Analyse historique de la place des monuments dans la restitution de l’histoire du Cameroun Paul Animbom / 21 October, 2022
Vol. 1, No.1, February 2021Je suis Bamenda, Je suis Dockta: Accounting for the popularity of Bamenda Grassfields Traditional Medicine men in Cameroon since precolonial times Paul Animbom / 20 October, 2022
Vol. 1, No.1, February 2021Alienating Grassfields cultural objects to Western museums: who cares? Paul Animbom / 19 October, 2022
Vol. 1, No.1, February 2021Couleur et dessin : une ontologie de la matière et de la forme dans l’objet esthétique contemporain Paul Animbom / 18 October, 2022
Vol. 1, No.1, February 2021Music, aesthetics and culture in Femi Osofisan’s selected plays Paul Animbom / 18 October, 2022
Vol. 1, No.1, February 2021The socio-cultural impact of music education in conflict resolution in Nigeria Paul Animbom / 17 October, 2022
Vol. 1, No.1, February 2021Ethnomusicologie de la contrapunctique dans la chanson Baka de Ndélélé à la lumière de l’étude de Simha Arom sur les Pygmées Centrafricains Paul Animbom / 16 October, 2022
Vol. 1, No.1, February 2021Dress and subculture identification in Cameroon Paul Animbom / 15 October, 2022
