Vol. 1, No.1, February 2021

Vol. 1, No.1, February 2021

Analyse historique de la place des monuments dans la restitution de l’histoire du Cameroun

Paul Animbom / 21 October, 2022

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Vol. 1, No.1, February 2021

Je suis Bamenda, Je suis Dockta: Accounting for the popularity of Bamenda Grassfields Traditional Medicine men in Cameroon since precolonial times

Paul Animbom / 20 October, 2022

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Vol. 1, No.1, February 2021

Alienating Grassfields cultural objects to Western museums: who cares?

Paul Animbom / 19 October, 2022

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Vol. 1, No.1, February 2021

Couleur et dessin : une ontologie de la matière et de la forme dans l’objet esthétique contemporain

Paul Animbom / 18 October, 2022

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Vol. 1, No.1, February 2021

Music, aesthetics and culture in Femi Osofisan’s selected plays

Paul Animbom / 18 October, 2022

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Vol. 1, No.1, February 2021

The socio-cultural impact of music education in conflict resolution in Nigeria

Paul Animbom / 17 October, 2022

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Vol. 1, No.1, February 2021

Ethnomusicologie de la contrapunctique dans la chanson Baka de Ndélélé à la lumière de l’étude de Simha Arom sur les Pygmées Centrafricains

Paul Animbom / 16 October, 2022

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Vol. 1, No.1, February 2021

Dress and subculture identification in Cameroon

Paul Animbom / 15 October, 2022

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