Vol 6 No 1 February 2026Recentring Cultural Infrastructure as Vectors of Social Cohesion and Sustainable Development in Cameroon Paul Animbom / 7 March, 2026
Vol 6 No 1 February 2026The Role of New Media in Cameroon Film Promotion: A Case Study of YouTube and Facebook. Paul Animbom / 7 March, 2026
Vol 6 No 1 February 2026Traditional Attire on Screen: Negotiating Identity and Ethics in the Representation of Toghu in Cameroonian Cinema Paul Animbom / 7 March, 2026
Vol 6 No 1 February 2026Acting Without Craft? Performance, Improvisation, and the Politics of Credibility in Anglophone Cameroonian Cinema Paul Animbom / 7 March, 2026
Vol 6 No 1 February 2026Visual Rhetoric and Symbolic Capital in Cameroonian Private Higher Education: “Staging Quality as Postcolonial Legitimacy” Paul Animbom / 7 March, 2026
Vol 6 No 1 February 2026Beyond National University Commission (NUC) Accreditation: Institutional, Policy, and Awareness Barriers to the Implementation of Industrial Design Education in Nigerian Universities Paul Animbom / 7 March, 2026
Vol 6 No 1 February 2026Language as a Form of Weaponisation in Crisis: The Case of The Current Anglophone Cameroon Crisis Paul Animbom / 7 March, 2026
Vol 6 No 1 February 2026Myth and Legend: A Retraditionalisation of The Cultural Episteme in Who Fears Death and Children of Blood and Bone Paul Animbom / 7 March, 2026
Vol 6 No 1 February 2026Handicraft Galleries in Bamenda (North-West Region of Cameroon): An Overview of Two Case Studies Paul Animbom / 7 March, 2026
