Vol 3 No 1 February 2023Funeral Songs among the Wimbum: An Experience in Non-Normative Theatre Paul Animbom / 18 March, 2023
Vol 3 No 1 February 2023Railed Resistance: Memory and Political Discourse in Julius Angwah’s Before Our Eyes Paul Animbom / 18 March, 2023
Vol 3 No 1 February 2023Appearance Verses Reality in Henrik Ibsen’s A Doll’s House and Ghosts Paul Animbom / 18 March, 2023
Vol 3 No 1 February 2023Novel to Film Adaptation and the Problematic of Transposition in Adaptation Discourse Paul Animbom / 18 March, 2023
Vol 3 No 1 February 2023Renegotiating Film Production in Cameroon during the Covid-19 Pandemic: The Virus in front and behind the Camera Paul Animbom / 18 March, 2023
Vol 3 No 1 February 2023Television Influence on Children’s Upbringing in Bambili, North West Region, Cameroon Paul Animbom / 18 March, 2023
Vol 3 No 1 February 2023Measuring the Effect of Implementing Content and Language-Integrated Learning (CLIL) in The Institute of Languages for International Integration (ILANI): An Experimental Research Project Paul Animbom / 18 March, 2023
Vol 3 No 1 February 2023Sustenance and Dynamics of Informal Transportation in AnglophoneCameroon, 1961 to 2016 Paul Animbom / 18 March, 2023
Uncategorized, Vol 3 No 1 February 2023Traditional Art History Education in Cameroon: Critical analysis of School Programs Paul Animbom / 18 March, 2023
